EBTISAM ABDULAZIZ
  • About
    • BIO
    • CV
    • Contact
  • Performances
    • The Silent voices 2024
    • Blood news 2024
    • Autobiography 2022
    • 'I can't breathe' 2021
    • See Something Say Something 2018
    • Gold 2018
    • Islamophobia 2017
    • A safe person to approach 2017
    • Structures 2015
    • Unashamed 2015
    • Blue Freedom 2013
    • Women’s Circles 2011
    • Autobiography 2007
  • Installation Art
    • Nuclear Game 2022
    • Untitled 2022
    • Focal Illusion 2019
    • Re-Mapping The Arab World 2010-2013
    • Re-Mapping the Wall 2013
    • Re-Mapping House 11, 2013
    • Re-Mapping the Office 2013
    • My Phone’s Diary 2013
    • Autobiography 2012-Found Objects
    • Biography 2009
    • Imaginary shapes 2007
    • Light of the Shadow 2007
    • Life's cube 2006
    • My Brain 2006
    • Four Probabilities 2005
    • Vision & Illusion 2005
    • Autobiography 2003-2005
    • Ten Triangles 2004
    • Line 2004
  • Video
  • Painting
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    • 2020 Isolation Art
    • 2019
    • 2017
    • 2016
    • 2014
    • 2012
    • 2011
    • Paintings 1999- 2007 >
      • Collage >
        • Subscription 2017
  • Photography
    • Life in a bag 2019
    • Night Shadows 2013
    • Untitled 2010
    • Life in a Bag 2009
    • Untitled 2008
    • 35 Minutes 2006
    • Portrait 2005
    • Number & Lifetime 2004-2005
  • Systemic art/ Mapping
    • 2y+2m+5d=38m 2018
    • Autobiography-USA 2014-2016
    • Remapping DC 2015
    • Remapping Africa 2013
    • Remapping AlFahidi 2013
    • Autobiography 2012- Plate Numbers
    • Re-Mapping The Arab World 2010- 2013-2013
    • Word in to Art 2009
  • Commission Art
    • collaboration with Life Water 2021
    • Collaboration with Swatch 2021
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Biography 09

Picture
Biography 2009 Acrylic Sheet & LED lights, 180 x 120 cm

​In Biography 2009, AbdulAziz compiles the paper targets from an arbitrary individual’s daily shooting practice over the course of a month. She then engraves a series of dots in a seemingly abstract pattern on a sheet of backlit acrylic. The dots are in fact reflective of the patterns of holes left in the shooting marks collected by the artist. Each target’s pattern is treated by the artist as a journal entry of sorts, and the dots, by extension, are treated as language meant to shed meaning on the subject’s psychological state on the given day. With this reading, the dots become infused with an imagined violence and a projected emotional charge, as the shooter’s information is channeled from an epicenter (the brain, the heart etc…) through the arm, and out the barrel of the gun.



©  2022 EBTISAM ABDULAZIZ
  • About
    • BIO
    • CV
    • Contact
  • Performances
    • The Silent voices 2024
    • Blood news 2024
    • Autobiography 2022
    • 'I can't breathe' 2021
    • See Something Say Something 2018
    • Gold 2018
    • Islamophobia 2017
    • A safe person to approach 2017
    • Structures 2015
    • Unashamed 2015
    • Blue Freedom 2013
    • Women’s Circles 2011
    • Autobiography 2007
  • Installation Art
    • Nuclear Game 2022
    • Untitled 2022
    • Focal Illusion 2019
    • Re-Mapping The Arab World 2010-2013
    • Re-Mapping the Wall 2013
    • Re-Mapping House 11, 2013
    • Re-Mapping the Office 2013
    • My Phone’s Diary 2013
    • Autobiography 2012-Found Objects
    • Biography 2009
    • Imaginary shapes 2007
    • Light of the Shadow 2007
    • Life's cube 2006
    • My Brain 2006
    • Four Probabilities 2005
    • Vision & Illusion 2005
    • Autobiography 2003-2005
    • Ten Triangles 2004
    • Line 2004
  • Video
  • Painting
    • 2025
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020 Isolation Art
    • 2019
    • 2017
    • 2016
    • 2014
    • 2012
    • 2011
    • Paintings 1999- 2007 >
      • Collage >
        • Subscription 2017
  • Photography
    • Life in a bag 2019
    • Night Shadows 2013
    • Untitled 2010
    • Life in a Bag 2009
    • Untitled 2008
    • 35 Minutes 2006
    • Portrait 2005
    • Number & Lifetime 2004-2005
  • Systemic art/ Mapping
    • 2y+2m+5d=38m 2018
    • Autobiography-USA 2014-2016
    • Remapping DC 2015
    • Remapping Africa 2013
    • Remapping AlFahidi 2013
    • Autobiography 2012- Plate Numbers
    • Re-Mapping The Arab World 2010- 2013-2013
    • Word in to Art 2009
  • Commission Art
    • collaboration with Life Water 2021
    • Collaboration with Swatch 2021
  • Press
  • News