EBTISAM ABDULAZIZ
  • About
    • BIO
    • CV
  • Work
    • 2022 >
      • Autobiography 2022
      • 2022 Artist in Residency program at Montgomery College
    • 2021 >
      • 'I can't breathe' 2021
      • collaboration with Life Water 2021
      • Collaboration with Swatch 2021
    • 2020 Isolation Art
    • 2019 >
      • Untitled 2019
      • Focal Illusion 2019
      • Life in a bag 2019
    • 2018 >
      • See Something Say Something 2018
      • Gold 2018
      • 2y+2m+5d=38m
    • 2017 >
      • Islamophobia 2017
      • A safe person to approach 2017
      • Subscription 2017
      • Re-Building 2017
    • 2016 >
      • Autobiography 2015-2016, Diary
      • Untitled 2016 (1)
      • Autobiography-USA 2014-16
      • Untitled 2016 (2)
      • Untitled 2016 (3)
    • 2015 >
      • Structures 2015
      • Unashamed 2015
      • Remapping DC 2015
    • 2014
    • 2013 >
      • Re-Mapping the Wall 2013
      • Re-Mapping House 11, 2013
      • Re-Mapping the Office 2013
      • Night Shadows 2013
      • Remapping AlFahidi 2013
      • Remapping Africa 2013
      • Blue Freedom 2013
      • My Phone’s Diary 2013
    • 2012 >
      • Autobiography 2012, Diary
      • Autobiography 2012- Plate Numbers
      • Autobiography 2012-Found Objects
    • 2011 >
      • Women’s Circles 2011
      • Self Portrait 2011
    • 2010 >
      • Untitled 2010
      • Re-Mapping The Arab World 2010-2013
    • 2009 >
      • Life in a Bag 09
      • Biography 09
      • Word in to Art 09
    • 2008 >
      • Untitled 08
    • 2007 >
      • Imaginary shapes 07
      • Light of the Shadow 07
      • Autobiography 07
    • 2006 >
      • Life's cube 06
      • 35 Minutes 06
      • My Brain 06
    • 2005 >
      • Portrait 05
      • Four Probabilities 05
      • Vision & Illusion 05
      • Autobiography 03-05
    • 2004 >
      • Number & Lifetime 04-05
      • Ten Triangles 04
      • Line 04
    • Paintings 1999- 2018
    • Collage
  • Video
  • Press
  • News
  • Contact

​Self Portrait 2011

Self Portrait..the idea of ​​this work, which relates to different age groups, draws from psychology and how each person views things from different angles. As I studied these characters, I began to paint mental images of them in my mind, eventually leading to  these drawings. I planned these paintings, then reconstructed and painted them again, this time from my own vision, and what I got from the personalities of these individuals.
The Idea of ​​the work has tinges of irony and ambiguity. The artist didn’t paint this painting; the viewer did. The Model painted here is the artist, summarized in a series of sketches that were carried out by a group of people some of whom I know and others I do not know. These people painted their impressions, what they knew about me, how they saw me. Some people didn’t know anything about me except how I looked, as there wasn’t any direct contact with them. They painted the external lines, just as we paint the outer surfaces of things without going into their essences. Those who knew me, on the other hand, were able through the paintings, to capture a human condition in forms far from painting a self portrait. Graphics symbols marked psychological, sensory, emotional, and other inner feelings such as hatred, love, happiness, unhappiness, and others.
This work is not restricted to a particular age group; many children participated in  interacting with the work, in addition to adults of both sexes. In the end, the product was a number of paintings that reflected me as a person. Each painting also reflected the inner nature of those individuals, their concepts of life and human nature, and what they themselves felt towards me or towards themselves. All the paintings reflect the various affiliations of this group of members of the community: cultural, social and human.  Those symbols, lines and icons all have their place and interpretations in the record of human language, one which is not possible for us to interpret or deal with as we deal with normal vocabulary. The overall visual stimuli are a major input to understanding what is within the human self - (We see because there are things that can be seen).
©  2022 EBTISAM ABDULAZIZ
  • About
    • BIO
    • CV
  • Work
    • 2022 >
      • Autobiography 2022
      • 2022 Artist in Residency program at Montgomery College
    • 2021 >
      • 'I can't breathe' 2021
      • collaboration with Life Water 2021
      • Collaboration with Swatch 2021
    • 2020 Isolation Art
    • 2019 >
      • Untitled 2019
      • Focal Illusion 2019
      • Life in a bag 2019
    • 2018 >
      • See Something Say Something 2018
      • Gold 2018
      • 2y+2m+5d=38m
    • 2017 >
      • Islamophobia 2017
      • A safe person to approach 2017
      • Subscription 2017
      • Re-Building 2017
    • 2016 >
      • Autobiography 2015-2016, Diary
      • Untitled 2016 (1)
      • Autobiography-USA 2014-16
      • Untitled 2016 (2)
      • Untitled 2016 (3)
    • 2015 >
      • Structures 2015
      • Unashamed 2015
      • Remapping DC 2015
    • 2014
    • 2013 >
      • Re-Mapping the Wall 2013
      • Re-Mapping House 11, 2013
      • Re-Mapping the Office 2013
      • Night Shadows 2013
      • Remapping AlFahidi 2013
      • Remapping Africa 2013
      • Blue Freedom 2013
      • My Phone’s Diary 2013
    • 2012 >
      • Autobiography 2012, Diary
      • Autobiography 2012- Plate Numbers
      • Autobiography 2012-Found Objects
    • 2011 >
      • Women’s Circles 2011
      • Self Portrait 2011
    • 2010 >
      • Untitled 2010
      • Re-Mapping The Arab World 2010-2013
    • 2009 >
      • Life in a Bag 09
      • Biography 09
      • Word in to Art 09
    • 2008 >
      • Untitled 08
    • 2007 >
      • Imaginary shapes 07
      • Light of the Shadow 07
      • Autobiography 07
    • 2006 >
      • Life's cube 06
      • 35 Minutes 06
      • My Brain 06
    • 2005 >
      • Portrait 05
      • Four Probabilities 05
      • Vision & Illusion 05
      • Autobiography 03-05
    • 2004 >
      • Number & Lifetime 04-05
      • Ten Triangles 04
      • Line 04
    • Paintings 1999- 2018
    • Collage
  • Video
  • Press
  • News
  • Contact